International Photographers Association of Los Angeles 洛杉磯國際攝影家協會

We don't make a photograph just with a camera; we bring to the act of photography all the books we have read, the movies we have seen, the music we have heard, the people we have loved. -Ansel Adams
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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 8:55 pm 
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註冊時間: 週一 4月 02, 2007 10:02 pm
文章: 1980
來自: Los Angeles
Xianren5588 寫:
我这个绿挺润的啊。

圖檔

稍微暖了一点,不然跟这个可爱的猫有一拼。。
圖檔

PS:我在陪同事加班,你们有空尽管陪我聊天儿 :D :D


我来说说为啥我不喜欢这个绿色。说的不对还请大师们指出。这个绿从色相上不是单纯蓝和黄的组合,包含了一定的棕色,也就是红色。过多的红色降低了绿色的纯度,而显得脏。这个颜色用在halloween是合适的,但cici的造型偏甜美风格,和色彩表达的意境是相反的。冲突的结果就是色不达意。蓝色调可以接受,可是粉色又和烛光冲突了。

_________________
Website: http://www.clairexuphoto.com
Blog: http://www.clairexuphotography.com


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 8:58 pm 
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註冊時間: 週三 5月 23, 2007 1:00 pm
文章: 2632
chameleon 寫:
农夫甲 寫:
Bruno dayan 的用光与用色

喜欢这组第一张,用色大胆,有戏剧冲突而不突兀


再抬个杠,这组很淡雅,用色大胆到未必。找几张大胆的给你看看。。

圖檔

圖檔

圖檔

圖檔

一直对色彩很着迷。我理想中的境界是随心所欲,画出自己心中的画面 :D


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:02 pm 
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註冊時間: 週三 5月 23, 2007 1:00 pm
文章: 2632
chameleon 寫:
Xianren5588 寫:
我这个绿挺润的啊。

PS:我在陪同事加班,你们有空尽管陪我聊天儿 :D :D


我来说说为啥我不喜欢这个绿色。说的不对还请大师们指出。这个绿从色相上不是单纯蓝和黄的组合,包含了一定的棕色,也就是红色。过多的红色降低了绿色的纯度,而显得脏。这个颜色用在halloween是合适的,但cici的造型偏甜美风格,和色彩表达的意境是相反的。冲突的结果就是色不达意。蓝色调可以接受,可是粉色又和烛光冲突了。


有道理,我觉得问题可能是黄太多了。本意是突出暖的感觉。再做一次绿色系的看看。粉色的是做着玩儿的。只是想说协调色彩其实不难。
:D


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:04 pm 
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註冊時間: 週一 4月 02, 2007 10:02 pm
文章: 1980
來自: Los Angeles
所谓大胆不是说颜色鲜艳造成的视觉刺激,而是在同一个明度纯度系中,他运用了两种极端的色相,这种手法绘画中常见而摄影中少见,并且我觉得那不是后期加色做的,而是他在补光时用了冷色的灯。


Xianren5588 寫:
chameleon 寫:
农夫甲 寫:
Bruno dayan 的用光与用色

喜欢这组第一张,用色大胆,有戏剧冲突而不突兀


再抬个杠,这组很淡雅,用色大胆到未必。找几张大胆的给你看看。。

圖檔

圖檔

圖檔

圖檔

一直对色彩很着迷。我理想中的境界是随心所欲,画出自己心中的画面 :D

_________________
Website: http://www.clairexuphoto.com
Blog: http://www.clairexuphotography.com


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:08 pm 
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註冊時間: 週一 4月 02, 2007 10:02 pm
文章: 1980
來自: Los Angeles
Xianren5588 寫:
chameleon 寫:
Xianren5588 寫:
我这个绿挺润的啊。

PS:我在陪同事加班,你们有空尽管陪我聊天儿 :D :D


我来说说为啥我不喜欢这个绿色。说的不对还请大师们指出。这个绿从色相上不是单纯蓝和黄的组合,包含了一定的棕色,也就是红色。过多的红色降低了绿色的纯度,而显得脏。这个颜色用在halloween是合适的,但cici的造型偏甜美风格,和色彩表达的意境是相反的。冲突的结果就是色不达意。蓝色调可以接受,可是粉色又和烛光冲突了。


有道理,我觉得问题可能是黄太多了。本意是突出暖的感觉。再做一次绿色系的看看。粉色的是做着玩儿的。只是想说协调色彩其实不难。
:D


色彩协调说难不难,说容易也不容易。特别在色彩理论这么成熟的情况下,要出新很难。

_________________
Website: http://www.clairexuphoto.com
Blog: http://www.clairexuphotography.com


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:16 pm 
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註冊時間: 週三 5月 23, 2007 1:00 pm
文章: 2632
这个开始深了。。赶紧把色调和色系教科书找出来复习一下。。 :D

http://www.7880.com/info/Article-2f042200.html

基本上,大师的属于暖灰色调。我的拙作,属于色调比较纯的对比色调。主色处于色盘的两级,是补色关系。用九十度临近色比较讨人喜欢,像我最喜欢的蓝色对黄色。

圖檔

圖檔

忘了说,再次谢谢大家陪我聊天。同事太笨,一点儿事,总也搞不好,我只好陪着。


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:23 pm 
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註冊時間: 週一 4月 02, 2007 10:02 pm
文章: 1980
來自: Los Angeles
[swf][/swf]
Xianren5588 寫:
这个开始深了。。赶紧把色调和色系教科书找出来复习一下。。 :D

http://www.7880.com/info/Article-2f042200.html

基本上,大师的属于暖灰色调。我的拙作,属于色调比较纯的对比色调。主色处于色盘的两级,是补色关系。用九十度临近色比较讨人喜欢,像我最喜欢的蓝色对黄色。



灰色系,大地色系,这些都是成熟的色彩体系,容易达成和谐的效果。对比色用的好能体现戏剧冲突,更抓眼球,就看片子要表现什么冲突了,情绪上的,构图上的,故事内容上的,等等

_________________
Website: http://www.clairexuphoto.com
Blog: http://www.clairexuphotography.com


最後由 chameleon 於 週二 11月 22, 2011 9:25 pm 編輯, 總共編輯了 1 次

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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:23 pm 
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註冊時間: 週日 8月 30, 2009 10:23 pm
文章: 35
來自: 贵阳
Xianren5588 寫:
我办公室没有原片,从网上拿下来从做一遍。。

附加檔案:
Nightshots%20039a.jpg


这个是用来哄女孩子滴 :D 要不要我再做个粉色系的给你看看? :D


这张我喜欢多一点, 色彩比较柔和. 太绿可以是背景, 但脸色还是不要绿的好.
好呀, 下次来我家拍吧! 我看看美女们的时间再告诉大家.


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:25 pm 
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註冊時間: 週三 5月 23, 2007 1:00 pm
文章: 2632
cat 寫:
Xianren5588 寫:
我办公室没有原片,从网上拿下来从做一遍。。

附加檔案:
Nightshots%20039a.jpg


这个是用来哄女孩子滴 :D 要不要我再做个粉色系的给你看看? :D


这张我喜欢多一点, 色彩比较柔和. 太绿可以是背景, 但脸色还是不要绿的好.
好呀, 下次来我家拍吧! 我看看美女们的时间再告诉大家.


哈哈,我刚说女孩子会喜欢。。有木有? :D :D


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:49 pm 
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註冊時間: 週四 6月 09, 2011 10:01 pm
文章: 725
Xianren5588 寫:
原来的想法就是个暖色调的夜。想把背景和脸色调分开。觉得脸上的红色很可爱,就没往冷了压。觉得蜡烛光是红色的,脸红一些也能接受。

我也觉得烛光是这张的重点。脸上的红色很可爱。应该keep。背景色不要搞补色对比,同类色,邻近色或对比色都可以。 :D

_________________
{ 農夫甲 }


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 9:56 pm 
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註冊時間: 週三 5月 23, 2007 1:00 pm
文章: 2632
农夫甲 寫:
Xianren5588 寫:
原来的想法就是个暖色调的夜。想把背景和脸色调分开。觉得脸上的红色很可爱,就没往冷了压。觉得蜡烛光是红色的,脸红一些也能接受。

我也觉得烛光是这张的重点。脸上的红色很可爱。应该keep。背景色不要搞补色对比,同类色,邻近色或对比色都可以。 :D


所以说最近口味比较重喽,多吃苦瓜长跑步。。去火 :mrgreen:


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 10:05 pm 
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註冊時間: 週三 5月 23, 2007 1:00 pm
文章: 2632
回家了,谢谢大家陪我聊天。。明天见喽 :love: :love: :love:


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 10:25 pm 
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註冊時間: 週四 6月 09, 2011 10:01 pm
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说说烛光吧,找到一篇“15 Tips for Great Candlelight Photography”
http://www.digital-photography-school.com/14-tips-for-great-candlelight-photography
圖檔
圖檔

看看是不是“对头”,至少他也喜欢烛光的红色“12. Candles emit a very ‘warm’ light – something that you’ll want to include in your shots as it creates a wonderful atmosphere. ”

1. Turn off Your Flash
If you want to get the warm glow of candles it’s essential that you switch your flash completely off.

2. Use a Tripod

3. Extra Candles
more candles will obviously produce more light which gives you a little more flexibility when it comes to shutter speed, ISO and aperture settings.

4. Spread Your Candles
Using a single candle or positioning multiple candles all closely together in one position will cause there to be harsher shadows cast upon your subject’s face. This might be the look you’re going for, however in most cases you’ll want a more even spread of light on their face. This can be achieved simply by spreading the candles out a little. I would still recommend more candles on one side than the other as this will create a nice side lighting impact – however don’t get the sides too uneven unless you’re after a pretty dramatic impact.

5. Natural ‘Reflectors’

The few times that I I shot by candlelight I made an accidental discovery that has been helpful since. I noticed that those times I shot my subject sitting at a table with a white table cloth that the shots were better exposed than those without a white table cloth. Obviously the table cloth reflected light back up into the face of my subject. Similarly white walls and ceilings can have this type of effect also (it’s slight – but everything helps when you’re shooting in such low light situations).

6. Fast Lenses

If you’re shooting with a DSLR and have multiple lenses choose the ‘fastest’ one you’ve got as this will allow you to use a larger aperture and let more light into your camera. My personal preference for this type of shot would be one of my 50mm lenses (f/1.8 or f/1.4). I would then generally shoot with the fastest aperture setting possible (or close to it) which enables a faster shutter speed and lower ISO. Keep in mind however that the larger your aperture the smaller your depth of field will be and the more spot on you focussing will need to be.

7. Zooms and Aperture

Keep in mind that when you’re shooting with many zoom lenses that the maximum aperture changes throughout the focal length range. ie shooting at the widest setting on many zooms will give you a larger aperture than when you zoom in. As a result it might be better to move in closer to your subject with a wider angle focal range than using the zoom.

8. Context and Backgrounds
Compositionally I like to keep these types of shots as uncluttered and simple as possible.

9. Shutter Speed

An obvious way to let more light into your camera is to choose a slower shutter speed. Keep in mind that as you decrease shutter speed you increase the chances of capturing any movement (both of your subject, the flames of candles and movement of your camera). If the environment is completely still (so flames are not flickering) and with a subject keeping as still as possible you might set your shutter speed as slow as 1/15th of a second – but any slower and you might be asking too much of your subject.

10. ISO Settings

Another way to compensate for low light environments is to increase the ISO settings on your camera. Of course the trade off of doing this is shots with more grain (noise) in them. Attempt to keep your ISO under 400 if you can and you should get reasonably clean shots. Any higher and you’ll start noticing the noise – especially if you’re blowing shots up to larger sizes.

11. Expose

If candles are in the shot, your camera will usually underexpose the shot as it’ll see them as such a bright spot. You might want to try overexposing by a stop from what the camera recommends. Don’t beef up exposure too much however or you’ll end up with your candles being burnt out spots in your image.

12. White Balance

It is well worth experimenting with white balance when shooting by candle light. Candles emit a very ‘warm’ light – something that you’ll want to include in your shots as it creates a wonderful atmosphere. However your camera may want to get rid of this warmth if you have white balance set to ‘auto’. Try different settings to get the right level of warmth (I find ‘indoor’ or ‘tungsten’ settings can work). Alternatively shoot in RAW and you’ll have a lot more flexibility with white balance in your post processing.

13. Composition of Candles

There are two main ways to deal with candles in a compositional senses – you can include them in the shot or leave them out unseen out of the frame. Both alternatives can create lovely shots so experiment with both.

If you’re including candles in the frame remember that they’ll impact the settings your camera wants to us (see section on ‘exposure’ above) but that they’ll also create points of interest in your shot that can potentially draw the eye of those viewing your image – competing with your main subject. As a result you’ll want to position your subject in a prominent position and consider placing candles in a way that doesn’t distract too much.

If candles are in the frame you’ll also want to make sure they’re nice ones. Smaller details matter in portraits and ugly candles might prove to be a real distraction.

14. Other Light Sources

Sometimes candles just won’t product enough light on their own. If this is the case and the above techniques still don’t leave you with enough light consider adding a little extra from another source. You might have a lamp or a dimmed light that you can use for example. For best results try to give your extra light a warm glow by using some red or orange material to drape over it (be careful of heat).

15. Using a Flash with a Colored Gel

In point number 1 I talked about turning off your flash to help you get that warm glow from the candles rather than a bright flash blowing out the image. The only exception that I have seen people use for this using some sort of a warm (red or orange) gel over your flash. This dims the impact of the flash and gives it a warm light. You might also want to decrease the output of the flash manually if you have control over this. Experiment with different color gels to get the color just right.

_________________
{ 農夫甲 }


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 10:36 pm 
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註冊時間: 週一 4月 02, 2007 10:02 pm
文章: 1980
來自: Los Angeles
这个好,收藏


农夫甲 寫:
说说烛光吧,找到一篇“15 Tips for Great Candlelight Photography”
http://www.digital-photography-school.com/14-tips-for-great-candlelight-photography
圖檔
圖檔

看看是不是“对头”,至少他也喜欢烛光的红色“12. Candles emit a very ‘warm’ light – something that you’ll want to include in your shots as it creates a wonderful atmosphere. ”

1. Turn off Your Flash
If you want to get the warm glow of candles it’s essential that you switch your flash completely off.

2. Use a Tripod

3. Extra Candles
more candles will obviously produce more light which gives you a little more flexibility when it comes to shutter speed, ISO and aperture settings.

4. Spread Your Candles
Using a single candle or positioning multiple candles all closely together in one position will cause there to be harsher shadows cast upon your subject’s face. This might be the look you’re going for, however in most cases you’ll want a more even spread of light on their face. This can be achieved simply by spreading the candles out a little. I would still recommend more candles on one side than the other as this will create a nice side lighting impact – however don’t get the sides too uneven unless you’re after a pretty dramatic impact.

5. Natural ‘Reflectors’

The few times that I I shot by candlelight I made an accidental discovery that has been helpful since. I noticed that those times I shot my subject sitting at a table with a white table cloth that the shots were better exposed than those without a white table cloth. Obviously the table cloth reflected light back up into the face of my subject. Similarly white walls and ceilings can have this type of effect also (it’s slight – but everything helps when you’re shooting in such low light situations).

6. Fast Lenses

If you’re shooting with a DSLR and have multiple lenses choose the ‘fastest’ one you’ve got as this will allow you to use a larger aperture and let more light into your camera. My personal preference for this type of shot would be one of my 50mm lenses (f/1.8 or f/1.4). I would then generally shoot with the fastest aperture setting possible (or close to it) which enables a faster shutter speed and lower ISO. Keep in mind however that the larger your aperture the smaller your depth of field will be and the more spot on you focussing will need to be.

7. Zooms and Aperture

Keep in mind that when you’re shooting with many zoom lenses that the maximum aperture changes throughout the focal length range. ie shooting at the widest setting on many zooms will give you a larger aperture than when you zoom in. As a result it might be better to move in closer to your subject with a wider angle focal range than using the zoom.

8. Context and Backgrounds
Compositionally I like to keep these types of shots as uncluttered and simple as possible.

9. Shutter Speed

An obvious way to let more light into your camera is to choose a slower shutter speed. Keep in mind that as you decrease shutter speed you increase the chances of capturing any movement (both of your subject, the flames of candles and movement of your camera). If the environment is completely still (so flames are not flickering) and with a subject keeping as still as possible you might set your shutter speed as slow as 1/15th of a second – but any slower and you might be asking too much of your subject.

10. ISO Settings

Another way to compensate for low light environments is to increase the ISO settings on your camera. Of course the trade off of doing this is shots with more grain (noise) in them. Attempt to keep your ISO under 400 if you can and you should get reasonably clean shots. Any higher and you’ll start noticing the noise – especially if you’re blowing shots up to larger sizes.

11. Expose

If candles are in the shot, your camera will usually underexpose the shot as it’ll see them as such a bright spot. You might want to try overexposing by a stop from what the camera recommends. Don’t beef up exposure too much however or you’ll end up with your candles being burnt out spots in your image.

12. White Balance

It is well worth experimenting with white balance when shooting by candle light. Candles emit a very ‘warm’ light – something that you’ll want to include in your shots as it creates a wonderful atmosphere. However your camera may want to get rid of this warmth if you have white balance set to ‘auto’. Try different settings to get the right level of warmth (I find ‘indoor’ or ‘tungsten’ settings can work). Alternatively shoot in RAW and you’ll have a lot more flexibility with white balance in your post processing.

13. Composition of Candles

There are two main ways to deal with candles in a compositional senses – you can include them in the shot or leave them out unseen out of the frame. Both alternatives can create lovely shots so experiment with both.

If you’re including candles in the frame remember that they’ll impact the settings your camera wants to us (see section on ‘exposure’ above) but that they’ll also create points of interest in your shot that can potentially draw the eye of those viewing your image – competing with your main subject. As a result you’ll want to position your subject in a prominent position and consider placing candles in a way that doesn’t distract too much.

If candles are in the frame you’ll also want to make sure they’re nice ones. Smaller details matter in portraits and ugly candles might prove to be a real distraction.

14. Other Light Sources

Sometimes candles just won’t product enough light on their own. If this is the case and the above techniques still don’t leave you with enough light consider adding a little extra from another source. You might have a lamp or a dimmed light that you can use for example. For best results try to give your extra light a warm glow by using some red or orange material to drape over it (be careful of heat).

15. Using a Flash with a Colored Gel

In point number 1 I talked about turning off your flash to help you get that warm glow from the candles rather than a bright flash blowing out the image. The only exception that I have seen people use for this using some sort of a warm (red or orange) gel over your flash. This dims the impact of the flash and gives it a warm light. You might also want to decrease the output of the flash manually if you have control over this. Experiment with different color gels to get the color just right.

_________________
Website: http://www.clairexuphoto.com
Blog: http://www.clairexuphotography.com


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 文章主題 : Re: LACMA的夜
文章發表於 : 週二 11月 22, 2011 10:38 pm 
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註冊時間: 週四 6月 09, 2011 10:01 pm
文章: 725
chameleon 寫:
第三条,目前的片子里我能分辨的是农夫的sophia,,和仙人的红门是手电打的,颜色怪的比如第一张都还是现场光。

yanguang 的也是手电筒打的光。

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